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PANEL FOUR

Buddy and The Huddle

Buddy and The Huddle is a band with a cast of revolving characters based in the South of Germany. The band’s frontman, Roland Kopp, read Cormac McCarthy’s Suttree in German translation and was immediately taken by the novel’s unforgettable characters and vivid description of Knoxville.

The band’s debut album “Music For a Still Undone Movie Maybe Called Suttree” (released Jan. 1, 1998) was inspired by McCarthy’s novel and partly recorded when Roland Kopp and Michael Ströll visited Knoxville in 1996. On this album, the band works with McCarthy’s gritty city scenes and characters, brilliantly translating into music what McCarthy called an overlooked “world within the world” of Knoxville. Even the band’s name is inspired by the novel, as “Buddy” is a nickname for the book’s protagonist and “The Huddle” is the name of a colorful downtown Knoxville bar included in the novel.

During their Knoxville visit in 1996, Roland Kopp and Michel Ströll also searched for the places depicted in Suttree and took hundreds of black and white photographs of these locations.

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PANEL FOUR

Buddy and The Huddle

literary knox exhibit Buddy and The Huddle is a band with a cast of revolving characters based in the South of Germany. The band’s frontman, Roland Kopp, read Cormac McCarthy’s Suttree in German translation and was immediately taken by the novel’s unforgettable characters and vivid description of Knoxville.

The band’s debut album “Music For a Still Undone Movie Maybe Called Suttree” (released Jan. 1, 1998) was inspired by McCarthy’s novel and partly recorded when Roland Kopp and Michael Ströll visited Knoxville in 1996. On this album, the band works with McCarthy’s gritty city scenes and characters, brilliantly translating into music what McCarthy called an overlooked “world within the world” of Knoxville. Even the band’s name is inspired by the novel, as “Buddy” is a nickname for the book’s protagonist and “The Huddle” is the name of a colorful downtown Knoxville bar included in the novel.

During their Knoxville visit in 1996, Roland Kopp and Michel Ströll also searched for the places depicted in Suttree and took hundreds of black and white photographs of these locations.

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...the journey seems to me less an adventure and a foray into unusual realms than a concentrated likeness of our existence: residents of a city, citizens of country, beholden to a class or a social circle...

— Annemarie Schwarzenbach —